The almost teenage Sandro and his younger brother Giannino are on holiday with their family on a private island. Here the stories of the two children intertwine with those of the other families' children. The young protagonists are almost left to their own devices by the adults, who are only framed from the shoulders down and only appear at times such as lunch or to send their children to bed. their children to bed. Sandro will have his first approach to sexuality on the island, when he meets the young Patrizia

The almost teenage Sandro and his younger brother Giannino are on holiday with their family on a private island. Here the stories of the two children intertwine with those of the other families' children. The young protagonists are almost left to their own devices by the adults, who are only framed from the shoulders down and only appear at times such as lunch or to send their children to bed. their children to bed. Sandro will have his first approach to sexuality on the island, when he meets the young Patrizia

From an early age, Arnold believes he is an extraterrestrial. Day in, day out, he is busy trying to build a flying machine that will finally take him "home". Protected by his mother Ida and her long-time admirer, the country doctor Emil, he is regarded as a quirky but lovable outsider in his home village.

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A faithful retelling of the 1942 "Vel' d'Hiv Roundup" and the events surrounding it.

It's 1910 and we're in Banbury church hall at the Banbury Intricate Craft Circle. Margaret has been to London and discovered the Women's Suffrage movement so she decides they need to set up their own movement and The Banbury Intricate Craft Circle becomes the hilariously ineffectual Banbury Intricate Craft Circle politely request women's Suffrage. Gwen is the only member who actually enjoys the craft element of the meetings, while Helen thinks that craft is a little unnecessary, but she's not interested in women's rights: "What on earth do women need a vote for? My husband votes for who I tell him to vote for. What could be a better system than that?"

It's 1910 and we're in Banbury church hall at the Banbury Intricate Craft Circle. Margaret has been to London and discovered the Women's Suffrage movement so she decides they need to set up their own movement and The Banbury Intricate Craft Circle becomes the hilariously ineffectual Banbury Intricate Craft Circle politely request women's Suffrage. Gwen is the only member who actually enjoys the craft element of the meetings, while Helen thinks that craft is a little unnecessary, but she's not interested in women's rights: "What on earth do women need a vote for? My husband votes for who I tell him to vote for. What could be a better system than that?"

A young woman trades her upper-class existence for a new life in an economically depressed suburb of London.

HOLE_AID presents Up the Catalogue, an ambitiously small film set in a fictional shopping channel by the name of 4QTV. Tasked with flogging a seemingly endless cycle of questionable products, star presenter, Hailey Cartin, is starting to fear she might be trapped in live television. When a rival product demonstrator eventually forces Hailey to confront her own quest-defying reality, will she ever be able to climb out of the hole she’s now in? Maybe. But maybe not. (And certainly not without the generous help of the film’s sponsors, HOLE_AID.) A story for the ages, Up the Catalogue boldly takes the shopping channel film genre away from cult classic territory and straight into the mainstream.

In a world where ranking determines the value of a player, a gang of skilled gamers find a quick way to get rich by breaking the rules.